Girlgroup champions FLO go undercover in their latest action-packed outing with Troy Roscoe.The video for Don't Break Her Heart features Jorja, Renee and Stella as private investigators, tracking down the unfaithful partner of a girlfriend around London, in a series of fast-moving vignettes that involves the girls' taking various jobs to get close to their target - and a fair amount of stalking.It's another very watchable, fun-filled showcase for the trio who are updating the Noughties girlgroup template, anchored by FLO's antics and Roscoe's skill at delivering tight, narrative concepts - rivalling their excellent collaboration on In My Bag eighteen months ago. "It’s always a pleasure working with the girls," explains Troy Roscoe. "They’re genuine superstars and bring an incredible amount of energy to every setup - which makes even the most demanding shoot days enjoyable."This video was an ambitious one, with eight different setups, two unit moves, and a huge amount to capture across just two days. In all honesty, it was probably more than we should have attempted, but everyone embraced the challenge and worked at an incredible pace."Thanks to the hard work of the entire cast and crew, we managed to pull it off, creating a video that feels dynamic, emotional, and packed with memorable moments."

American rapper and singer Tobe Nwigwe and FILFURY bring African style and more to the Californian desert for Nwigwe's collaboration with Labrinth. The video for All Or Nothing is less a conventional music promo than a cinematic apparition: part short film, part moving editorial, part sacred family portrait. Set against the vastness of the California desert the film uses impressive VFX work to transform the landscape into something constantly shifting - ocean, battlefield, dream state, ancestral ground.Completing the picture are Nwigwe and family and Labrinth in African-centric wardrobe, resulting in a series of striking and awe-inspiring compositions. A great visual for the first track released from The Bridge, Nwigwe's new album.

The UK Music Video Awards, the greatest global celebration of excellence in music video, has launched its 19th annual event and is now open for entries. And for this year's awards ceremony in November, the UKMVAs will return to legendary venue The Roundhouse. The UKMVAs has opened its doors today (June 10th) for UK Music Video Awards 2026, with the premier awards show for music video creativity now accepting submissions for work accomplished in the UK and around the world in music video and music visual projects during the past year.The UK Music Video Awards 2026 website is now live and welcoming entries.This is the start of the journey that will lead to a huge celebration of achievement in music video creative production in the UK and beyond at the UK Music Video Awards 2026 ceremony. And this year, the journey leads back to The Roundhouse.For the first time in five years, the UKMVAs ceremony and afterparty will be held at the legendary venue in Camden Town, North London. It marks the return to The Roundhouse, where UKMVAs' ceremonies took place between 201? and 2021. This year's event will take place on Wednesday, November 4th. Once again, the UK Music Video Awards will be honouring the full range of creativity in music videos this year with 39 separate categories available to enter.Entrants can submit their work from now until the entry deadline at midnight on August 3rd 2026. Details of how to submit can be found on the Entry Info page of the website.Work entered at the awards must have been completed between August 1st 2025 and July 31st 2026. The work can be entered in a range of categories, which cover directorial achievement by music genre, technical and craft achievement, live video, and special projects, while there are also awards for individual achievement in several different fields of endeavour.The 39 categories at UKMVAs 2026 includes the return of the award for Best Agent in the Individual achievement section. Best Low Budget Video, introduced in 2025, is now expanded to include Visualisers, for visual projects under £10K.Here is a full list of categories for UKMVAs 2026: Best Pop Video – UKBest R&B / Soul /Jazz Video – UKBest Dance / Electronic Video – UKBest Rock Video – UKBest Alternative Video – UKBest Hip Hop / Grime / Rap Video – UKBest Pop Video – InternationalBest R&B / Soul /Jazz Video – International Best Dance / Electronic Video – InternationalBest Rock Video – InternationalBest Alternative Video – InternationalBest Hip Hop / Grime / Rap Video – InternationalBest Pop / R&B / Soul / Jazz Video – Newcomer Best Dance / Electronic Video – NewcomerBest Rock / Alternative Video – NewcomerBest Hip Hop / Grime / Rap Video – NewcomerBest Low Budget VideoBest Live VideoBest Special Video ProjectBest Performance in a VideoBest Casting in a VideoBest Production Design in a VideoBest Styling in a VideoBest Choreography in a VideoBest Cinematography in a VideoBest Cinematography in a Video - NewcomerBest Colour Grading in a VideoBest Colour Grading in a Video - NewcomerBest Editing in a VideoBest Editing in a Video - NewcomerBest Visual Effects in a VideoBest Animation in a VideoBest AgentBest Creative CommissionerBest New DirectorBest DirectorBest ProducerBest Executive ProducerBest Production CompanySince its inception in 2008, the UKMVAs has grown into the most important annual event in the calendar for the world of music video production, involving 1000s of members of the music video production community as Jury Members. Find out more about the 17 previous UK Music Video Awards here.Recruitment is under way for this year's Jury Members. When judging opens in August, more than 400 directors, producers, commissioners, craft and technical specialists from across the music video world and beyond will be reviewing the work, as part of the UKMVAs' longstanding two-level judging process.Enter the UK Music Video Awards 2026 here.

Vincent René-Lortie directs a breathtaking, dreamlike epic for Canadian-French singer Charlotte Cardin, exploring aspects of desire on a remote Mediterranean island. The video for Take Me Back begins with Cardin unconscious, carried from the rocks of the island to a fortress-like building by the other inhabitants. From there, a mysterious narrative unfolds involving the intriguing activities of the inhabitants - including testosterone-fuelled wrestling - in this prison-like Paradise. And Charlotte is inexorably drawn to one boy.Filmed on a remote island off the coast of Sicily, Quebecois filmmaker and Academy Award nominee René-Lortie creates memorable choreographed set-pieces, inspired by the language of continental cinema but also incorporating elements of performance. With its cinematic narrative and ambitious scope, it's a breathtaking achievementMost importantly, the concept and setting maximises Charlotte Cardin's considerable screen charisma. Already in a big star in France and Canada - and named Billboard's Global Artist of 2025 - this paves the way for a striking new artistic chapter of her career.

Balan Evans directs a thoroughly cool promo for French multi-instrumentalist FKJ (French Kiwi Juice) - aka Vincent Fenton.The video for the very groovy Soulmates splits bteween reality and dreamworld as FKJ works on the track at home - and then occasionally drifts into a cosmic space, usually when he's playing a splendid guitar solo. Evans imbues both parts of FKJ's world with vintage textures and nostalgic vibes, experimenting with composition, light and movement. It's also intimate and draws in the viewer to enjoy the work of a clarly very talented musician.Ultimately, it's a wonderful visual to inspire further exploration of FKJ and his upcoming album Tyber.

Studio RM colourist Jules Wileman has won a Best Colour Grading award at the recent AICP Post Awards in New York for Serena in Meguro, an editorial piece for magazine Love Wants, directed by Imogene Barron and produced by Kintzing.At the awards on Friday, June 5th, Wileman's work won the Colour Grading: Under :60 prize for her grade on the film, which is an intimate portrait of Japanese model and actress Serena across moments in her home and garden, while the wider, busy landscape of Tokyo sits quietly in the background. Echoing Serena's commentary in the film, the grade carries a sense of warmth and fluidity — like a wash of watercolour tones — built around a sun-filled Tokyo afternoon.Together with recognition for her work on the project, the AICP Award reflects Wileman's progress in gaining an international reputation for her work in colour from her base at Studio RM in London. Her approach - fast, instinct-led and fashion-literate - has seen her build an exciting portfolio across fashion, advertising and music, working with directors actively pushing the boundaries of visual storytelling. Approaching two years grading at Studio RM, Jules hasn’t slowed down for a beat, highlights including Prada (directed by Steven Meisel), Tom Ford (directed by Gregoire Dyer at Division) Nothing Headphones (Directed by Iris Luz) alongside music promos for Travis Scott, Odeal and Jorja Smith.• More from Jules Wileman at Studio RM here