Aidan Zamiri directs a beautifully pensive promo for Billie Eilish. Following the success of her team-up with Charli XCX on Guess, Zamiri and Eilish reunite for Birds Of A Feather, which sees the artist in an abandoned hospital, meditating on love and life. With some slick VFX and clever cinematography, Eilish is pulled, dragged and thrown around different threadbare rooms, maintaining her performance throughout. It's a touching, completely absorbing visual, and a testament to Zamiri's ability to both capture and set the pop zeitgeist.

Gregg Houston directs a punchy performance promo for Wunderhorse. Shot in an empty office building, the video focuses solely on performance, without frills or superfluous additions - and that's what makes it so spectacular. Imbuing the visual with a sense of high-energy vigour, the band are completely absorbing from every angle, and the gritty textures of the 16mm film lends a rawness and intimacy to the concept. "These guys are earning a reputation for intense live shows and so for this music video we kept things very simple and let them do their thing," Houston says. "We found a pleasing location and got as much 16mm film as we could afford. What else do you need! With roughly one take per angle, the gentlemen gave it their all from the first moment. This is the director's cut so we were allowed to indulge ourselves with some 6fps footage and other flashes that took our interest."

Zebra Katz investigates an abandoned hotel in Palanga, Lithuania, in Žanete Skarule's promo for Moor. The high-concept visuals exude a sense of mystery, as the artist stalks the clandestine location, chasing a doppelganger who may or may not be real. The cinematography is breathtaking, and the abstract camerawork and lighting elevates the minacious, dangerous quality of the concept. Equal parts mesmerising and haunting, it's a brilliant play on the doppelganger trope, with a refreshing and engaging perspective.