Eleanor Grace Hann directs a moody and atmospheric promo for D Double E's collaboration with Hamzaa - a distorted mix of performance, choreography and conceptual setups, coming together to explore the themes in the track.Within a largly dark space, illuminated with shafts of light, the video for Lifeline tantalysingly flitters between its performers and two dancers who represent the characters mentioned in the song, the challenges faced by young people in society and the difficulty of breaking cycles without guidance. With unsettlingly fast editing which also reflects the song's subject, this is a strongly artistic meditation by director Eleanor Grace Hann on the world we live in - and how experience provides its own perspective. That becomes clear at the four individuals gather at the end and its evident the youngsters could be the artists' younger selves.

Alessandro Amaducci directs a glitchy, hyperactive promo for French producer-duo Som.1.This concept is executed in a frantic amalgam of character performance and distorted textures, building to a riveting climax of pulsating strobes and split-screen edits - before a final scene with a sand timer running down. "There is no more time," Amaducci explains of the idea behnd the visual. "The countdown goes faster and faster. In a world inhabited by animals and few surviving humans, a final celebration of dance is staged. A post-apocalyptic fashion show. We must run. Dance. Until the end."A thought-provoking concept with a lo-fi, dystopian aesthetic that is haunting and alluring in equal measure.

Nick Denisov directs a trippy promo for EXP3. Denisov - who is London-based with Russian roots - created the video for ФАry in collaboration with EXP3, in response to Moscow's nationwide TV propaganda. Feeling the need to speak out, the director and artist have created something haunting and demonic, questioning the validity of the news cycle, and what is beyond the TV screen that viewers worldwide tune into on a daily basis. Inspired by TV Shots, a series by photographer Harry Gruyaert, all of the footage was reshot with the use of an old cathodic screen, that altered the outgoing image, blurred and distorted it. Stirring and timely, the video encourages viewers to take their thoughts into their own hands, and to resist media brainwashing.