Lillie Eiger directs a mesmerising promo for British-Malaysian singer-songwriter Chloe Qisha - seemingly from an insect's POV. Eiger provides a suitably playful video to complement catchy pop anthem I Lied I'm Sorry, capturing Chloe as she climbs a winding staircase in her underwear - shot on a mini-drone, so it appears from the perspective of a pestering insect.The camera floats in and out of the action, taking momentary breaks to fly outside and into other rooms. It's a cool and effective concept to introduce Chloe Qisha through an unusual but enthusiastic performance. "I wanted to make a fluid 'one take' video where Chloe performs a choreographed dance while ascending a staircase, the camera effortlessly buzzing with and around her from dynamic perspectives as she performs," says Eiger."This video is all about her odd performance, taking a stab at making an iconic dance and moving the camera in artful, gravity defying ways."

Cian Llewellyn directs a wistful promo for award-winning jazz artist Ian Shaw's love letter to Soho.Young Welsh director Llewellyn directs Shaw's performance of Greek Street Friday in Gerry's Bar, one of the area's best and original 'dens of iniquity', and in the surrounding streets, to capture the essence of old Soho and all of it's chance encounters.The song is a Shaw's tribute to Soho's basement bars, to love and to loss, and he becomes the unseen presence among the patrons of Gerry's, so that the scenario can be viewed as a nostalgic recollection of times past, or as present-day reality.As the lyrics play on the see-saw nature of this unique area of London, and a poignant celebration of times been and gone, Llewellyn crafts and evocative and affectionate showcase the artist and the song - all the more impressive as it was achieved on a minimal budget.

Sarah Piantadosi directs an uninhibited retro-tinged performance promo for London-based Irish alternative artist and poet Sinead O'Brien. The video acts as a live showcase for O'Brien and her band, shining a spotlight on her unique performance style and live show. Piantadosi encourages a charismatic performance from O'Brien, with excellent work from DoP Sam Hooper as she stalks London's night-time streets.The bright highlights and gritty textures, and the enthusiastic coupling of the denizens of the nightclub where they are playing, hark back to videos of the 80s, and the entire concept has a very underground, almost Jarman-eque feel. High praise indeed.