Lee Tesche directs a rousing promo for Denver band Dead Pioneers fronted by native American vocalist and artist Gregg Deal - featuring Sleaford Mods' Jason Williamson on guest vocals.The video for The Worst Among Us is a stirring showcase of performance and place, meditating on themes of colonialism and indigenous experiences.With split-screen composition overlaid with lyrics, blended with portraiture and creative cutaways, it's an ambitious and well-executed promo - directed by Lee Tesche, the Dead Pioneers' bass player.

Lillie Eiger directs a mesmerising promo for British-Malaysian singer-songwriter Chloe Qisha - seemingly from an insect's POV. Eiger provides a suitably playful video to complement catchy pop anthem I Lied I'm Sorry, capturing Chloe as she climbs a winding staircase in her underwear - shot on a mini-drone, so it appears from the perspective of a pestering insect.The camera floats in and out of the action, taking momentary breaks to fly outside and into other rooms. It's a cool and effective concept to introduce Chloe Qisha through an unusual but enthusiastic performance. "I wanted to make a fluid 'one take' video where Chloe performs a choreographed dance while ascending a staircase, the camera effortlessly buzzing with and around her from dynamic perspectives as she performs," says Eiger."This video is all about her odd performance, taking a stab at making an iconic dance and moving the camera in artful, gravity defying ways."

Cian Llewellyn directs a wistful promo for award-winning jazz artist Ian Shaw's love letter to Soho.Young Welsh director Llewellyn directs Shaw's performance of Greek Street Friday in Gerry's Bar, one of the area's best and original 'dens of iniquity', and in the surrounding streets, to capture the essence of old Soho and all of it's chance encounters.The song is a Shaw's tribute to Soho's basement bars, to love and to loss, and he becomes the unseen presence among the patrons of Gerry's, so that the scenario can be viewed as a nostalgic recollection of times past, or as present-day reality.As the lyrics play on the see-saw nature of this unique area of London, and a poignant celebration of times been and gone, Llewellyn crafts and evocative and affectionate showcase the artist and the song - all the more impressive as it was achieved on a minimal budget.