We are DOMA. A new post-production company specialising in Edit and Colour.From our offices in London, we work with production companies, producers, directors, artists, and agencies worldwide. We offer complete post-production services including offline and online editing, VFX, animation, colour grading, and finishing.

Post production company

DOMA

Multi-Grammy winning artist Imogen Heap and&nbsp;London-based Ukrainian director and editor Daria Korsak have created a remarkable 14-minute&nbsp;experimental music video, incorporating numerous techniques - including CGI and AI - for Heap's epic composition&nbsp;I AM ___.&nbsp;Two years in the making by the veteran musician, singer-songwriter and producer&nbsp;and&nbsp;Korsak - who arrived in the UK having fled the war in Ukraine in 2022 - the visual for I AM ___ is a sensory journey that explores the personal and the political by immersing the viewer in five visual worlds:&nbsp;from the heart of a microchip, through a brain full of bittersweet romantic memories, into the depths of AI consciousness, inside the eye, and finally through the shifting perspectives of machine and human.Blending CGI, processed archival footage, macro liquid patterns and VFX-heavy live action, the effect&nbsp;is to hurl the viewer into the&nbsp;the fractured mind of a modern human-machine, caught in the turbulence of personal exploration, geopolitical upheaval and an accelerating technological revolution. Ultimately, the&nbsp;film explores how we could hold onto our humanity and find peace amid the chaos of an ever-evolving world.[imgtoken data:1]It's also the result of a close collaboration between the artist and director, that mostly took place in 'after hours' time while&nbsp;Korsak worked full-time as an editor and navigated a new life far from Ukraine, and lived with Heap as her guest after her departure from her war-torn homeland."I fled Ukraine in 2022, and Imogen kindly offered to host me in her home – first for six months, then for several years," she explains. "She was working on the song, and I said I wanted to create a music video for it. I’d never directed anything before, so it seemed like an overly ambitious idea – and it grew into something even wilder than either of us expected."AI was used as a creative instrument to support the film’s theme of human-machine symbiosis – specifically, to process archival footage for the Noise section, which was then re-edited frame by frame and integrated with live-action and CGI.<a href="https://imogenheap.com/iam" target="_blank">In a statement on her website</a>, Imogen Heap says: "Neither the song I AM___ nor the music video were 'created by AI.'&nbsp;The song as well as this music video were created by dozens of human artists over the past few years.[imgtoken data:2]"For clarity, the utilization of AI was done strategically and specifically...&nbsp;For the “Noise” section of the music video, the artist Robert Seidel used personal video footage from my phone that was relevant to the song’s theme (the audio of those videos is featured on and off for a couple of minutes in the song). He processed those videos through the model Stable Diffusion... [before it was re-edited by Korsak]. After which, half was turned into particles by the VFX artist Falk Müller."Korsak&nbsp;adds that working on this long-term project was also integral to dealing with the challenge of living in a new country, and she acknowledges the help of Deadbeat Films, the production company who were particularly invoived in the first stage of production in 2023, and producer, live action director and co-writer Boris&nbsp;Thompson-Roylance.&nbsp;"Forced migration left me feeling torn between places, cultures and systems much larger than myself. I AM ___ became a way of translating that fragmentation into something tangible," she says."A lot of people have told me the Noise section feels like an accurate visualisation of what’s happening in their mind on an average day. If anything, I hope the film makes viewers feel a little less alone inside all that chaos of modern life."

United Kingdom

Alice Colfox

Evie Hart

Joseph Kudra

Daria Korsak

Jake Evans

Anthony Toma

Boris Thompson-Roylance

Deadbeat Films

Imogen Heap

Alex Rice

Jack Thompson-Roylance

Denisa Cantor

Laura Prast

Gary Kent

Ian Jones

Keith Smith

Nick Teulon

James Wicks

Joe Medlock

Jacob Jonas

Rachel Freire

Tom Berry

Francesca Ingram

Thomas Kumeling

Eunsoo Kwon

Jimmy Zhu

Megaphonic Records

Alternative

Imogen Heap 'I AM ___' by Daria Korsak

Imogen Heap - I AM ___

James Ogram directs a tender promo for Maisie Peters, his second for the singer-songwriter following <a href="https://www.promonews.tv/videos/2025/11/25/maisie-peters-audrey-hepburn-james-ogram/93310" target="_blank">Audrey Hepburn</a>.&nbsp;The video for You You You sees the artist performing to her bathroom reflection, moving through the emotions of the lyrics in a gentle, reflective way.&nbsp;Lingering takes capture the meditative quality of the concept, which transforms and everyday moment to an act of catharsis."In You You You, I wanted to evoke the same intimacy and introspection that Maisie captured so beautifully in her song," Ogram explains.&nbsp;"I felt that placing the camera with her in a setting that’s typically personal and private would allow us to capture a performance that felt truly authentic and raw."As the video unfolds, the shifting time of day reflects the way your sense of time can blur or disappear when you’re in that mental space."[imgtoken data:1]

Theo Boswell

Hannah Mason

Grace Evers-green

Joanna Crafoord

Stephanie Major

James Ogram

Aidan Brooks

Andre Reid

Natalia Maus

Chris Stones

Jack Reynolds

Alasdair Copland

Sam Rawlings

Jack Ainsworth

Lauren Evans

Ewan Mcintosh

Warner

Singer-songwriter

Maisie Peters 'You You You' by James Ogram

Maisie-Peters--'You-You-You'-by-James-Ogram

The first of two videos for returning pop singer-songwriter Maisie Peters by James Ogram sees Maisie on a journey through an idyllic&nbsp;version of the English countryside.The video for Audrey Hepburn starts with Maisie walking in front of a pale pink sky, that we discover is a back projection. Then as darkness falls&nbsp;she follows a bright light through to a country garden or forest at nighttime. It provides&nbsp;a&nbsp;mysterious and magical setting for Maisie's reflections on a fading love affair.&nbsp; "Audrey Hepburn struck me as a song both about the past and the future - about finding a new start by returning home," says Ogram.&nbsp;"It felt right to put Maisie on a journey in this video. We watch as she follows this phantom-light and traverses the countryside in the ethereal nighttime."[imgtoken data:1][imgtoken data:2]&nbsp;

Amanda Marie-rose

REPmedia

Warner Records

Maisie Peters 'Audrey Hepburn' by James Ogram

Maisie Peters - Audrey Hepburn [Official Music Video]

Grajper directs a moonlit, surrealist fantasy for The Last Dinner Party.&nbsp;The video for Count The Ways finds the group in the middle of a model village, performing as a montage of illusory vignettes play out on screen.&nbsp;Imbued with unearthly, liminal vibes, it's a striking concept and one that fits perfectly within the offbeat videography the group has built over the last couple of years.&nbsp;[imgtoken data:1]<blockquote>Everything is familiar, but [the world] is&nbsp;too small, too artificial, too perfect.</blockquote>"The heart of the song is about love, heartbreak, and the refusal to accept that something beautiful has ended," Grajper explains.&nbsp;"It’s about being trapped in grief, circling around loss, and being unable to move forward."For TLDP, that emotional space feels like being locked in a prison that is invisible yet everywhere, a cage built out of memories and feelings. That’s why the miniature park is such a powerful starting point. It’s a world that is at once charming and eerie. Everything is familiar, but it’s too small, too artificial, too perfect."When we place our heroine in this world she instantly becomes estranged from it: she is either too large for the space, breaking out of it, or she’s wandering through its streets like a ghost who doesn’t belong."

Joe Harrison

Rubina Marchiori

Grajper

Wojciech Czarkowski

Hurry Sundown

FRIEND

Connor Adam

Jake Hunter

Mel Giles

Smera Kumar

Rowan Hutchings

Steve Morgan

Mitch Collins

Jem Bradley

Ruby Yu

Kuba Tomaszewicz

Andrzej Lewkowicz

Żenia Bochulia

Indie

The Last Dinner Party 'Count The Ways' by Grajper

Grajper-'Count-The-Ways'-by-Grajper

Palice directs her debut music video, for Sigrid's Jellyfish.&nbsp;The video is a carefree, eccentric performance-focussed concept, shot in Bulgaria. Channeling the song's themes of awkward connection into a dreamy, sun-soaked world, the director's vision of an 'endless summer' day shines through, packed with nostalgic vibes.&nbsp;Leaning into an editorial style, DoP Samuel Hooper masterfully controls the light to create a beautifully soft, fashion-portrait aesthetic, working together with art director Sasha Hilton's eye for offbeat props and styling.Enhanced by Pierre Babbage's playful choreography and DOMA's excellent post work, it's a beautifully surreal video with plenty of standout moments.&nbsp;[imgtoken data:1][imgtoken data:2]

Sasha Hilton

Pierre Babbage

Luci Ellis

Palice

Morgan Faverty

Pavilion Works

Sturshel Productions

Alexander Mihailov

Sam Hooper

Nanio Naniov

Masashi Konno

Ariel Yeh

Christos Mavridis

EMI Records/Universal Music

Sigrid 'Jellyfish' by Palice

Sigrid-'Jellyfish'-by-Palice

Billy King directs a darkly comedic promo for Sasha Keable, who is going to extraordinary lengths to not feel numb any more.&nbsp;The video for Feel Something features Sasha performing from inside her overturned car following an accident. Billy King - who recently signed to CANADA for music videos and branded content&nbsp;-&nbsp;gives this catastrophic scenario another playful twist.Not only covered in cuts and bruises, Sasha&nbsp;may not have made it through the accident alive. No wonder she would like to feel something...&nbsp;&nbsp;With surreal doppelgangers, abstract backdrop vignettes and a tongue-in-cheek approach, it's a visual feast that places Keable front and centre, and is very effective indeed.&nbsp;[imgtoken data:1][imgtoken data:2]&nbsp;

Sam Storey

Jack Pritchard

Sophie Daniel

Lee Trigg

Billy King

Ayomide Alli

CANADA

Greg Probert

Peter Bishop

Tanya Ramsurrun

Phelan Moeller

Jack Meredith

Alexandra Brannan

Clare Hurford

Stefan Jemeel

Tom Mangham

Black Kite Studios

The Flight Club Records

Callum Harrison

Hands 

Natasha Lawes

Sasha Keable 'Feel Something' by Billy King

Sasha-Keable-'Feel-Something'-by-Billy-King

Dumas Haddad helms a cinematic feat for British neo-soul duo&nbsp;MRCY, combining a thrilling dance performance with the artists&nbsp;in an intriguing labyrinth-like space.Haddad bends&nbsp;reality in the video for Flicker, as a man - dancer Stefano Saa - unravels with hypnotic physicality inside this remarkable location where&nbsp;doors lead nowhere and hallways fold into themselves.&nbsp;Reality flickers, space and time twist in this cinematic hall of mirrors, pulling the dancer deeper into chaos.Shot through striking wide-angle lenses, the film slips between slow-motion dissociation and bursts of frantic movement. The building in which its set is a mutating, liminal prison of light, geometry, and eerie loops - and becomes a character in itself in the video.With superb cinematography by Courtney Bennett and grade by Thomas Kumeling, it's a substantial achievement which develops an atmosphere of Kubrickian unease with the sporadic appearance of additional characters and creatures adding to the constant disorientation of the central character.And amid the chaos, Haddad also creates an appealing visual&nbsp;showcase for the musical talents of the band, as the action continually pulses with the track's beat.&nbsp;Hypnotic as its surreal, it's a&nbsp;very welcome return to music videos.[imgtoken data:1][imgtoken data:2]

Ranya Refaey

Stefano Saa

Tate Abbott

Dumas Haddad

Shan Phearon

Harris Elliot

Jonny Boomer

Courtney Bennett

Mitch Kalisa

Murray Boden

Daniel Deighton

Fabienne Piolini-Castle

Theophilus Bailey

Kreszend Sackey

Dead Oceans / Secretly Group

Soul

Neo-Soul

MRCY 'Flicker' by Dumas Haddad

Mrcy-'Flicker'-by-Dumas-Haddad

A boy spirals headlong into&nbsp;PinkPantheress's tartan-patterned world in Ethan &amp; Tom's captivating mixed-media video for Illegal.When the boy - played by Sekou Diaby -&nbsp;opens a box of jellies and offers one to Pink, she declines. Sekou eats one, and then trips out into a vibrant animated dreamworld - comprised of Pink's unmistakeable sillhouette against rapidly changing tartan (or plaid) designs, that distinctive, Y2K-influenced aspect of her personal style. Certainly enough to put his poor head in a spin.Playfully flipping&nbsp;between the live action and the animation - created by Black Anime Animation Studio - it's a superb showcase for Pink, both&nbsp;the astute songwriter/producer and blossoming&nbsp;pop star. Ethan &amp; Tom have zeroed in upon the incisive storytelling and deadpan wit of her lyrics, her attitude and iconic look, with humour&nbsp;and visual invention.&nbsp;Following their wacky adventure last year for another unique British musical talent - <a href="https://www.promonews.tv/videos/2024/09/03/geordie-greep-holy-holy-ethan-tom/87942" target="_blank">Geordie Greep</a> -&nbsp;this is another big step forward for the directing duo into the pop world. They have done themselves - and the marvellous Pink - proud.[imgtoken data:1][imgtoken data:2]&nbsp;

Grace Snellock

Simon Donnellon

Black Anime Animation Studio

Claudia Celeste

Milena Agbaba

Ethan & Tom

Brooklyn Adebowale

Will Cousins

Partizan

Kirstin Cruickshank

Mark Lane

Jack Hamilton

Chris Kelly

Tuncer Ozdemir

Jaz Lanyero

David Martinez

Lauren Mills

Mouthpiece

PinkPantheress 'Illegal' by Ethan & Tom

Pinkpantheress-'Illegal'-by-Ethan-&-Tom

Sinclair Bryant directs a striking&nbsp;promo for Australian-British singer-songwriter and producer Charlotte Plank, diving into a world of mannequins and frozen poses.&nbsp;Leading an all-female team of HoDs - including&nbsp;Chaimuki (DoP), Naomi Feld&nbsp;(set designer), Elle Fell (stylist), Shani Mushington&nbsp;(HMU) and Sidney Williams (editor) - Bryant's video for Candy Stores is&nbsp;an editorial-style vision blurring&nbsp;the line between the artificial and the real.[imgtoken data:1]As the track builds, the magical candy store comes to life, in a surrealist twist on suburban bliss, where the bright polish of a 1950's dreamscape gives way to a darker undercurrent. With&nbsp;Plank as both performer and observer of the phenomenon, the female mannequins begin to stir.The mannequins were cleverly portrayed by a cast of real people, made possible by the work of the hair and make-up team, who crafted striking looks. It's bold work, elevated by the cast's commitment to their characters and an inspired use of styling and makeup.&nbsp;

Naomi Feld

Darcy Wallace

Micayla Myles

Elle Fell

Sinclair Bryant

James De Winton

ZUKUNFT

Joanna Szyczewska

Massimo Filipi

Chaimuki

Amber Felix

Joe Mulvihill

Luke De Borde

Danni Baxter

Shani Mushington

Sidney Williams

Cabin Edit

RCA Records

Kate Kidney-Bishop

Janina Zais

Leethal Reppin

Dance

Charlotte Plank 'Candy Stores' by Sinclair Bryant

Charlotte-Plank-'Candy-Stores'-by-Sinclair-Bryant

Sau Ali follows up the fiery promo for <a href="https://www.promonews.tv/videos/2025/03/18/highlyy-im-ok-sau-ali/90405" target="_blank">I'm OK</a> with a vibrant sequel for More Parties.&nbsp;Moving to&nbsp;the back of a tour bus with her friends, some music and all of the good vibes, the video is a breezy celebration of life with a simple yet absorbing concept.&nbsp;Boasting frantic yet intimate camerawork and a cycling colour wheel of lights, it's a feel-good visual anchored by Highlyy's playful performance.&nbsp;