Director of Photography

Harvey Davies

Continuing their collaboration with Lovejoy, Noiziac - director Aaron Bishop and EP Harvey Davies&nbsp;- are back with their final instalment of promos for the band’s debut album One Simple Trick, on opening track&nbsp;Baptism.Departing slightly from the world of his previous two videos with the band, Bishop sets his sights on the greed and exploitation of impressionable audiences within the context of televangelism. In this video, frontman Wilbur suits up in blue velvet and fake tan as the ill-fated Pastor Gold, a televangelist who basks in his own egomania while rotting from within.[imgtoken data:1]Ultimately, the video sets out to show a character whose immorality is hidden under the guise of a carefully crafted image who, by the end of the story, receives his comeuppance. Rather than it coming from a position of justice or authority however, the punishment is almost coincidental - perhaps even divine.Completing the cycle of interlinking narratives, Baptism ends with a tie-in to the TV waves of Lovejoy’s previous video for Common Touch, opening the doors of Dwelling Tower up to their fanbase while closing the book on the visual world of One Simple Trick for the time being.

United Kingdom

Aaron Bishop

Alternative / Indie

Lovejoy 'Baptism' by Aaron Bishop

Lovejoy-'Baptism'-by-Aaron-Bishop

Director-DoP duo&nbsp;Noiziac, return for their second video with new indie band Lovejoy, sending frontman Wilbur from the top floor of a high tower block down in a shaky&nbsp;lift with an increasing number of rowdy residents joining the lift making it an accident waiting to happen.&nbsp;As with its predecessor for <a href="https://www.promonews.tv/videos/2025/06/26/lovejoy-rob-my-witness-aaron-bishop/91571" target="_blank">With Rob My Witness</a>, the&nbsp;video for Pay &amp; Display places the world in&nbsp;Dwelling Towers - and director Aaron Bishop&nbsp;says there are more to come, with one more part to a four part cycle of videos heralding the band's debut album&nbsp;One Simple Trick, released on 3rd October.[imgtoken data:1]"The environments of the videos were completely different, but the themes and sentiments of the characters are quite similar," says Bishop. "While Rob was built around overstimulation, we wanted this to capture the unpredictable nature of a Friday night train journey home. Everyone except you is plastered and you do your best not to engage in fear of getting roped into other people’s messiness."It’s loud, annoying, and weird, but it’s also quite funny. But then there’s the catch of escalating a situation by actively not talking to someone. For me, that’s where I felt a lot of the humour was born from.”[imgtoken data:2]Despite both videos connecting narratively, it was crucial to Noiziac that they could also serve as their own contained stories. “A big part of that came with the styles of each video. Colour was of course a big one. Rob had a very incandescent look almost like the characters were trapped in a furnace, while Pay &amp; Display was meant to mimic that vibe of being absolutely shattered while a painfully bright florescent tube is ringing above you."VFX is also something I’ve wanted us to venture further into. We played it quite safe with our last one I think; mainly due to the delivery window, so for this we were dead set on taking it a bit further.”

Rock

Indie

Lovejoy 'Pay & Display' by Aaron Bishop

Lovejoy-'Pay-&-Display'-by-Aaron-Bishop

Katia Schutz directs an striking performance promo for Ella Eyre - who is being harrassed by a mutant teddy bear.&nbsp;The video for Space introduces 'Dwayne' - a love monster made out of all the stuff an ex would leave behind. He’s very clingy and simply can’t let go…. sound familiar?Through a simple, one-room concept, Schutz brings the icky creature to life in a whimsical fashion, falling and tripping over Eyre as it tries to hold her down - but she's not having it.&nbsp;It's an ambitious and fresh take on past love and relationships, and is another exciting addition to Eyre's growing videography.&nbsp;

Katia Schutz

Natalia Maus

Ella Eyre 'Space' by Katia Schutz

Ella-Eyre-'Space'-by-Katia-Schutz

Brighton-based rock band&nbsp;Lovejoy&nbsp;team up with director-DoP duo&nbsp;Noiziac for a heated, grungy ode to Fight Club.The video for With Rob As My Witness, directed by Aaron Bishop and shot by Harvey Davies, kicks off the lead up to the band's debut album. And it marks a new era for the band, as they move into grittier territory than previously with the visceral&nbsp; ‘Residents Only Boxing’ event in the video.Noiziac have stated that they&nbsp;poured a lot of detail into the video.&nbsp;"The word which echoed across our pre-pro was ‘overstimulation’. We wanted to illustrate a character having a lot of things thrown at him with no time to prepare, but an expectation to get it correct right away. There’s an in-your-face-ness to how all of these characters are seen interacting with Will.”With this marking the first collaboration between Lovejoy and Noiziac, the two collectives are set to be working on another video together which is to be expected to be out later this summer.[imgtoken data:1]

Lovejoy 'With Rob As My Witness' by Aaron Bishop

Lovejoy-'With-Rob-As-My-Witness'-by-Aaron-Bishop

Aaron Bishop explores a&nbsp;narrative&nbsp;about a young man who's seemingly lost his independence due to an injury (broken arm), in the gentle promo for indie band The Point's Dancing With Two Left Feet.Through a combination of naturalistic narrative shots and CRT-textured performance setups, we see the character&nbsp;struggling with his emotions, whilst his Grandma reminisces on memories with her normally cheery and happy grandchild. Eventually, a breakthrough moment helps the pair reconnect.With excellent performances from the&nbsp;main characters, and a sensitive and considered approach, it's a great visual highlighting&nbsp;the importance of not having to suffer on your own, and keeping the door open to&nbsp;your support network.

Taomak Films

The Point 'Dancing With Two Left Feet' by Aaron Bishop

The-Point-'Dancing-With-Two-Left-Feet-'-by-Aaron-Bishop

Tansy Taylor directs a bubbly dance video for singer Aubrey Trnql.&nbsp;The video for Crazy features child dancer Amiyah Richards, who we see perform through the colourful streets of Kentish Town, North London.&nbsp;Confidently lip syncing as she vibes to the track, it's a visual that will put an instant smile on your face, bringing a fresh and unexpected take to the D&amp;B track.&nbsp;

Tansy Taylor

Aubrey Trnql 'Crazy' by Tansy Taylor

Aubrey-Trnql-'Crazy'-by-Tansy-Taylor

South London indie-rockers Bears In Trees make the ultimate comeback in Aaron Bishop and Stefan Gutierrez Yildirim's boisteriously wacky video for Things That Look Like Mistakes.After the band suffer an unfortunate mass electrocution accident while rehearsing, a friendly ghost seeks to revive them. And finally they do return for the grave - to the annoyance of their goth-loving&nbsp;fans.&nbsp;With touches of animation to heighten the overall tone of absurdity, it's a daft yet fun outing for the song that preaches the importance of reconnecting with the small moments of joy in your life.

Stefan Gutierrez Yildirim

Bears In Trees 'Things That Look Like Mistakes' by Aaron Bishop, Stefan Gutierrez Yildirim

Bears-In-Trees--'Things-That-Look-Like-Mistakes'-by--Aaron-Bishop,stefan-Gutierrez-Yildirim

NEMY's life journey is visualised in an energetic, stylish fashion in the promo for Elegant.&nbsp;Directed by Noiziac and NEMY himself, the video opens&nbsp;in Paris, moving through iconic landmarks in France and finally the UK, showing the story of his upbringing to where he is today.&nbsp;A breathless edit and dynamic camerawork keep the visual feeling fresh throughout, and the use of real life friends and family add a sentimental vibe to the concept.&nbsp;"Upon prep for this video NEMY made it clear that the video needed to reflect the story of his upbringing, starting in the Congo,"&nbsp;Noiziac explains.&nbsp;"We opted to shoot in the African markets in Paris as we felt it offered the perfect cultural mix of his upbringing in the Congo and France, and ended in London to get the final shots of the project, backdropped by&nbsp;the O2 arena and Canary Wharf skyline,&nbsp;where he now resides in Greenwich."&nbsp;&nbsp;

Noiziac

NEMY

NEMY 'Elegant' by Noiziac & NEMY

Nemy-'Elegant'-by-Noiziac-/-Nemy

Claryn Chong co-direct the breezy&nbsp;promo for Pressure with singer-songwriter dexter - who's also the star of this engaging show.&nbsp;Perfectly capturing a sense of laidback nostalgia, the concept sees the artist travelling around the car-free streets of East London&nbsp;on a bike, and hanging out with friends on a high-rise balcony.&nbsp;Utilising jump cuts and sneaky transitions, the video has a playful vibe that reflects life's&nbsp;whimsical, dreamlike moments, and celebrates the feelgood vibes of the track. And, above all, an excellent showcase for the splendid dexter. Very nice indeed.[imgtoken data:1]&nbsp;

Claryn Chong

Dexter

dexter 'Pressure' by Claryn Chong, dexter

Dexter-'Pressure'-by-Claryn-Chong,dexter

Dappy pays homage to&nbsp;life before&nbsp;fame, in&nbsp;Labi Odebunmi's cinematic short film for Intro.&nbsp;Touching upon how artists juggle their music careers and personal life, the autobiographical narrative depicts a young Dappy going through life in Camden, navigating the various challenges and roadblocks along the way.&nbsp;Odebunmi cleverly contrasts lavish performance setups with grittier, authentic vignettes from the streets, highlighting the hustle that got the artist to where he is today.&nbsp;Each character in the story is brilliantly cast, encompassing the emotional rollercoaster of the journey, while&nbsp;DoP&nbsp;Arran Green matches the high-energy concept with stylised lighting and handheld camera movement.&nbsp;

Labi Odebunmi

Hip Hop

Dappy 'Intro' by Labi Odebunmi

Dappy-'Intro--[director's-Cut]'-by-Labi-Odebunmi

A classy combination of performance and VFX technique by Mornix for Dizzee Rascal and Smoke Boys' latest team-up.

Harvey Davies

Director of Photography

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