A party-sized celebration unfolds in the unlikeliest of places, in Lewis Carter's promo for US country artists Maddie & Tae. It's the scene of plenty of memorable moments - drunken chats by the mirror, pep talks and camaraderie. For Maddie & Tae, the bathroom is a space for celebration and catharsis. Leading to a fun roller-rink party, it's another dazzling promo from Cater - following his team-up with the Nashville-based duo on Free Like - full of feelgood vibes and glossy vignettes.

Jay Russell directs a dazzling promo for London-based singer, songwriter & producer Humble The Great. In the video for Angie, Humble's duality is visualized through shifting stage backdrops, where his confident, exaggerated persona as a frontman contrasts with the vulnerable, real Humble. Boasting a charming, nostalgic vibe, the use of repetitive camera movements and art direction to frame the scene creates something that feels dreamlike and ever so slightly surreal.

Directing duo Zite et Léo direct a heartwarming tale of marooned aliens for French pop group L'Impératrice.The video for Any Way sees the band take on the roles of intergalactic travellers, stranded in the middle of nowhere with a broken spaceship. But it could be worse - they have landed in the French countryside.And luckily for them, a resourceful female mechanic is on hand. She helps tow their sweet 50s-styled spaceship to her garage, and fixes them up ready to continue their adventure. It's a quirky, retrofuturistic trip, embellished with spacey costumes, dazzling holograms of featured singer Maggie Rogers (whose performance was shot in LA) and some top-notch art direction - not forgetting the glorious Pierre Cardin outfits.

Rapper NOBAKINGSODA and his regular collaborator NEONXFLUORESCENT pay homage to old hip hop videos with On God.The video - the third in a series following Air Fryer and Clockers - features a lively performance outside an off-licence and boasts a dazzling colour palette and dreamy aesthetic. "This video is a culmination of several rap videos NOBAKINGSODA and I saw in our younger years," says NEONXFLUORESCENT. "He was excited by the idea when I pitched it, but I let him know I'd be adding other elements and have the colours reflect a Britishness I see in my head, the era of the video nasty."The video came out as my Frankenstein's monster of different things sewn together. I won't say what is what, but there are several references from my favourite films in there as well as the work of a contemporary Polish artist who I really like, all lovingly stitched together by the Kiss to my Neon, Sam Bassett."