We commission and create impactful music content, branded work, moments of culture, music videos and sessions.

Production Company

Bad Bones Films

Matt Maltese resists&nbsp;a rival for the affections of his girlfriend in&nbsp;Prasanna Puwanarajah's charming video for Always Some MF.Puwanarajah sets up a love triangle in a country house, where 'The MF' played by Ira Mandela Siobhan challenges Maltese to a fencing duel, to win the hand of the singer's attractive love,&nbsp;Nadia Parkes - to accompany Maltese's performance of a laidback jazz-pop track with a lyrical sting. &nbsp;The video for Always Some MF follows the collaboration between actor/director&nbsp;Puwanarajah and Maltese on the Royal Shakespeare Company's recent stage production of Twelfth Night -&nbsp;directed by&nbsp;Puwanarajah, with music composed by Maltese.&nbsp;&nbsp;“Matt’s a generational artist and it’s been an honour to work with him again on Always Some MF&nbsp;after our collaboration at the RSC last year," says&nbsp;Puwanarajah.&nbsp;"We wanted to create a film that explored the complexities of love and relationships with - we hope - the wit and wierdness that a life with another person requires and yields."Matt’s got a strange and beautiful take on the world, on relationships and the collision of ordinary life, I love his music and our growing collaboration and I hope this song runs and runs.”

James Cotterill

Katie Harris

Hannah George

Prasanna Puwanarajah

Lily Roberts

Adam Tindell At Curtis Brown

Chris Duncan

Adam Trzcinski

Richard Dunton

Liz Ayedele

Luke De Borde

Abi Jones

Kombat Kate

Diandra Ferreira

Charlie Clinton

Nielsan Bohl @ Selected Works

Ira Mandela Siobhan

Nadia Parkes

The Orchard

Matt Maltese 'Always Some MF' by Prasanna Puwanarajah

Matt Maltese - Always Some MF [Official Video]

Laurence Warder directs an entertaining&nbsp;surreal adventure for Rag'n'Bone Man, where the artist's body and head meet for the first time.The video for Pocket is a colourful and surreal take on the feeling of a first date, and being 'put in someone's pocket' - and it takes Rory Graham, aka Rag'n'Bone Man, in a&nbsp;more lighthearted direction in a video than we have previously seen.With judicious use of VFX - including a head designed by Will Harvey at Monster FX -&nbsp;Warder gives his interpretation of putting oneself back together, as the delivery of a&nbsp;surprise package - Rag'n'Bone Man's head - begins a whirlwind relationship between head and body, set against&nbsp;the backdrop of Margate's seafront.The visual effects and experimental perspectives add a hallucinatory feel to the visual, which ramps up in weirdness right until the climax, where the artist is able to put himself together again.&nbsp;Absorbing and fun, and certainly&nbsp;different to a usual Rag'n'Bone visual, it absolutely knocks it out the park.[imgtoken data:1]&nbsp;

United Kingdom

Tanja Martin

Laurence Warder

Polly Withington

Dan Millar

Ollie Riches

Vicky Kanji-smith

Daragh Mccann

Ty Hack

Vlassis Skoulis

Leo Winslow

Murdo Hepburn

Flint J Mcdonald

Sara Buxton

Johnny Richards

Luka Brewster

Sebastian Ziabka

Darren A Young

We Are Covert 

Will Harvey, Monster FX

Alex Munteanu - Vfx

Ivan Hryhorjuk - Lead Vfx

Giles Toller - On Set Vfx Supervisor

Columbia

Sony Music

Alternative

Rag'n'Bone Man 'Pocket' by Laurence Warder

Rag'n'bone-Man-'Pocket'-by-Laurence-Warder

The bandmembers of British metalcore outfit Bury Tomorrow are transfixed by mesmeric vortex-based event in Ricky Allen's cinematic video.The visual for Villian Arc is a slow-burning build to a series of unsettling, atmospheric&nbsp;VFX-fired moments, twisting the everyday, that supplement the sense of foreboding supplied by the track.As it turns out, it was the mundane everyday that provided Allen with his inspiration for the video.&nbsp;[imgtoken data:1]"To me, this song embodies transformation, for better or worse, whether it's felt within yourself or recognised by others," says Allen. "These changes don't typically happen like in the movies; instead, they often occur during our everyday routines - like doing laundry. You know, the really boring stuff."I found this to be a particularly interesting train of thought. Though, I should remind myself not to start my pitch with, "Yeah, so there's this washing machine…”. That tends to get some concerned looks."I've always had an odd fear of a washing machine's spin cycle in an empty room (feel free to quote me on that). It reminds me of that scene from Home Alone when Kevin ventures into the basement and confronts the furnace. So, when I heard the opening riff of this song, my mind instantly pictured a washing machine spinning and then starting to emit light. This imagery became the foundation for the video."