Kodak Motion Picture Film and Kodak Film Lab London. If you are looking to work with film on your next production, or are interested in learning more, from the budgeting, selection and purchasing of the film, to the processing, post-production and preservation of your project, we’re available to answer your queries. Film has proven to be cost effective for a wide variety of productions and budgets because film drives efficiency, reduces your shooting ratios and helps your cast &amp;amp;amp;amp; crew focus.Our Kodak Film Lab based at Pinewood Studios offers comprehensive negative processing services for Super 8mm, 16mm, 35mm and 65mm productions. Our dedicated team have extensive experience working on major feature films, commercials, music videos and archive projects so you can be assured of the very best service and support.

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Kodak

Alt-rock royalty Kim Gordon returns with the first track from her new solo album -&nbsp;brought to life in a dreamy, sun-kissed video directed by fashion designers and filmmakers Kate and Laura Mulleavy.The video for Not Today features Kim wearing a beautiful vintage dress - designed by the Mulleavy sisters for the spring/summer&nbsp;2007 collection for their fashion label Rodarte.&nbsp;

United States

Kate Mulleavy & Laura Mulleavy

Danny Gabai

Peter Kline

Álvaro Fernández

Monolithic Films

Harper Simon

Christopher Blauvelt

Julia Bloch

Adam Siegel

Tina Pappas

Paul Rizzo

Nicole Servin

Turner

Dante Pasquinelli

Nat Tereshchenko

Ethos Studio

Fotokem

Alternative

Alt Rock

Kim Gordon 'Not Today' by Kate Mulleavy & Laura Mulleavy

Kim Gordon - "NOT TODAY" (Official Video)

'Disco-grunge-no wave' outfit&nbsp;Pigeon swap out Miami for Margate&nbsp;and the sun-kissed fields of North Kent in&nbsp;this joyous and surreal self-directed and produced video.The video for Miami sees the band drift through a series of late summer English dreamscapes, appearing as sunflowers in a field, lounging by a toxic swimming pool, and tearing through the countryside in a band van transformed into a giant fly.This very enjoyable promo for the band that features director Tom Dream culminates with&nbsp;the fivepiece enjoying the sunset in Margate, the band’s hometown and their very own version of Miami.&nbsp;[imgtoken data:1]

United Kingdom

Oliver Whitworth

Gus Sharpe

Pigeon

Ghandi El-Chamaa

Dream-co

Jack Maddison

Info@cutbyhewitt.xyz

Andi Chu

Electric Theatre Collective

Artist Building Studio

Memphis Industries

Indie

Pigeon 'Miami' by Pigeon

Pigeon - Miami (Official Video)

Andrea Arnold makes a very rare appearance as a music video director - possibly her debut -&nbsp;for old friends Sleaford Mods team-up with artist and performer Sue Tompkins, in the familiar territory of the Dartford estate where she shot her seminal Oscar-winning short film&nbsp;Wasp.Shot by long-term collaborator Robbie Ryan - the DoP on her acclaimed features Red Road, Fish Tank, Wuthering Heights, American Honey and Bird, the&nbsp;film for No Touch, shot on a mix of 16mm and 35mm, features the duo performing the track alongside locals and dancers in the falling leaves of British November.The video also features Sue Tompkins, visual artist and&nbsp;former lead singer of Glasgow rock band Life Without&nbsp;Buildings, who becomes the latest female vocal foil to Sleaford's frontman Jason Williamson, following the likes of Billy Nomates, Amy Taylor from Amyl &amp; The Sniffers&nbsp;and,&nbsp;most recently,&nbsp;Gwendoline Christie.[imgtoken data:1]“I had such a lovely day making the video with the Sleafords and Sue Tompkins," says Arnold, who featured both the Sleafords' track Jolly&nbsp;Fucker and a cameo by Jason Williamson in&nbsp;her latest film Bird - also shot in Dartford."The shoot reminded me of my days out to Margate with my family. It was bonkers, chaotic and funny and we got chips on the way home. I had such a good time working with them all. Although we all do different things we were all somehow connected. Like our work and lives all intermingled somehow. Lovely.”Jason Williamson has commented that the song "is colourful and full of heavy&nbsp;realism, a kitchen sink drama," and that it&nbsp;“couldn’t have been captured by anyone else. Andrea Arnold fits perfectly with its soft nightmare theme."He adds: "It is a song about isolation, loneliness and crushing self-harm that we all try to navigate, I suppose, under the rigid structures of conformity. Andrea took us back to her old neighbourhood, which also felt very familiar to me. The video, like her films, doesn’t end in total black out, but it trails hope too.”

Andrea Arnold

Fran Thompson

Park Pictures

Shelley Jones

Robbie Ryan

Florence Sweeney

Arielle Cooper-Lethem

Sara Bowden

People File

Chiara Armentano

Goldcrest

Laura Pavone

Sleaford Mods ft Sue Tompkins 'No Touch' by Andrea Arnold

Sleaford Mods Ft. Sue Tompkins - No Touch (Official Video)

Ramez Silyan evokes the name of the band and the song, and channels the cinematic spirit of David Lynch and Gregory Crewdson in this gorgeous, beautifully crafted video for Californian band The Neighbourhood.Shot by Bobby Pavlovsky, the video for Private takes us into American suburbia in all its ominous perfection. The world of Lynch's Blue Velvet - often referenced in videos, but rarely done as well as it is here.Silyan's twist on the convention is to have the band perform the song within this dream suburban setting at night - a night so dark that it becomes like a dream.It is beautiful and beautifully artificial - and it's the band themselves that provide the realism, in the unshowy yet impressive performance. They are determinedly rocking out - and that's what gets the curtains twitching in this eerily private world.[imgtoken data:1][imgtoken data:2][imgtoken data:3]

Ramez Silyan

Jeffrey Scotti Schroeder

Stink Films

Balint Seres

Deep Cut Films

Bobby Pavlovsky

Matt Toth

Zaldy Lopez

Exile Edit

Kaitlyn Battistelli

Eric Ugland

Nick Durr

Gabrielle Alvarez

Rock

The Neighbourhood 'Private' by Ramez Silyan

The Neighbourhood - Private (Official Music Video)

Fiona Jane Burgess directs the latest video&nbsp;for The Last Dinner Party in a real departure from their canon up to this point: a poignant, character-driven&nbsp;short film with no appearance by the band.The promo for The Scythe follows an elderly couple (played by Richard Durden and Eileen Nicholas) on a quiet journey through the English countryside, focussing on a series of scenes on the journey. Without a backstory or dramatic arc, it invites the viewer to fill in the narrative details themselves - and find&nbsp;beauty in the ordinary and unspoken.[imgtoken data:1]“The Scythe is a song about love, and so this film is a testament to that," explains&nbsp;Fiona Jane Burgess.&nbsp;"The band came to me with an idea about seeing an older couple on a journey, and I thought that was refreshing since we live in such a youth-obsessed culture."I also love road movies, so it was fun to have the opportunity to make one! The actors were fantastic and brought so much energy to the screen despite two very long and demanding shoot days."The shoot itself was an adventure, driving from place to place discovering hidden gems with a brilliant crew and meeting locals along the way (some of whom are in the film!) I worked with cinematographer Mika Altskan and we shot on 35mm 4-perf which was a dream."So many people helped bring this film to life and I'm so grateful to The Last Dinner Party and their team for being such amazing collaborators.”

Fiona Jane Burgess

Precious Mahaga

SMUGGLER

Elizabeth Doonan

Maëva Demurger

Georgie Dale

Joanna Szyczewska

Studio Island

Island Records

Tamsyn Manson

Steve Wingrove

Mika Altskan

Connor Dunlop

Agnieszka Debska

Greg Hewitt

Emma Lipop

Emily Tongue

Helena Teixeira

Marsheen

Julien Alary

Tmls

Digital Orchard

Richard Durden

Eileen Nicholas

Hands 

The Last Dinner Party 'The Scythe' by Fiona Jane Burgess 

The Last Dinner Party - The Scythe (Official Video)

Mack Quicke directs an evocative visualiser for Nigerian superstar Tiwa Savage's collaboration with Skepta, shot on film by DoP James Lahaise.The visual for On The Low focusses on the artists' chemistry and the possibility of a romantic connection in a subtly nostalgic scenario. Reminiscent of&nbsp;90's hip hop and R&amp;B music videos, the world ties in with the themes and imagery of Tiwa's upcoming album release.[imgtoken data:1]

Nigeria

Kerri Aungle

Rudy Simba Betty

Mack Quicke

Stan Chapman

Big Week

Vanessa Amadi-ogbonna

Tsvetina Rassovska

James Lahaise

George Szabo

Ernest Tu

Sam Storey

Santino Napolitano

Company 3

Empire

Orla Gaffney-Houson

Afro-Pop

Tiwa Savage X Skepta 'On The Low' by Mack Quicke

Tiwa-Savage-X-Skepta-'On-The-Low'-by-Mack-Quicke

The <a href="https://www.ukmva.com/76-welcome" target="_blank">UK Music Video Awards</a> has announced that Kodak&nbsp;is returning as a partner&nbsp;at the UKMVAs once again this year,&nbsp;sponsoring the prestigious award of Best Production Company for the fourth year in succession.Long renowned as the leading name in film in terms of production and processing for both photography and motion picture,&nbsp;<a href="https://www.kodak.com/en/motion/home/?CID=go&amp;idhbx=motion" target="_blank">Kodak</a> offers products&nbsp;across the motion picture film workflow from capture to post,&nbsp;and has emerged as a valued supplier of film stock and services to the current generation of music video makers.The advanced technology of&nbsp;Kodak Vision3 motion picture film&nbsp;provides the highest degree of image quality and creative flexibility, while&nbsp;shooting on film has also proven to drive efficiency."Kodak are thrilled to continue our sponsorship of the UKMVA Best Production Company again for 2025," comments&nbsp;Sam Clark, Director Sales, Motion Picture at Kodak."We‘re delighted to see so many productions choosing to shoot on film and continue to be passionate about supporting the industry’s outstanding talent and their creative choices."[imgtoken data:1]The Best Production Company category is one of&nbsp;38 awards that can be entered at this year's UKMVAs,&nbsp;including prizes for best video by music genre, technical achievement and individual and company categories.The full range of categories can be found at&nbsp;the UKMVA website&nbsp;<a href="https://www.ukmva.com/30-categories" target="_blank">here</a>. More entry info is&nbsp;<a href="https://www.ukmva.com/41-entry-info" target="_blank">here</a>. Entries to the awards are now being accepted on the website,&nbsp;<a href="https://www.ukmva.com/videoentry" target="_blank">here</a>&nbsp;and&nbsp;<a href="https://www.ukmva.com/individualentry" target="_blank">here</a>. The deadline for entries is in less than a month's time - at midnight (BST) on&nbsp;Friday, 1st August.That will be followed by two rounds of judging in most categories, with an announcement of nominations in late September. And the UK Music Video Awards 2025 ceremony will return to&nbsp;Magazine London, near the O2 Arena&nbsp;in London, on Thursday, October 30th.• More at <a href="https://www.ukmva.com/76-welcome" target="_blank">UK Music Video Awards 2025&nbsp;website</a>[imgtoken data:2]

UK Music Video Awards 2025: Kodak return as sponsors of Best Production Company

Short film competition Yarns has revealed the unsigned filmmakers selected to bring their visions to life under the competition's bold theme this year.The&nbsp;finalists are the director/producer duo Ciara O'Rourke &amp; Jack Clarke, Tom Tennant and&nbsp;Naomi Pallas, who have been selected to make films on the subject of DISINFO.&nbsp;The not-for-profit competition organised by Homespun -&nbsp;the new talent division of Stitch Editing -&nbsp;that champions emerging UK talent with full creative and post-production support to transform their ideas into fully realised short films, received a record number of submissions for films tackling this year's theme. The three finalists were then chosen from a shortlist of ten submissions.Each finalist will receive £2,000 funding and post-production assistance from Homespun, and post partners Sine Audio Post, Absolute, Freefolk and Nineteentwenty. The competition is also backed by&nbsp;Kodak, APA&nbsp;and Sine Audio Post.Ciara O’Rourke &amp; Jack Clarke will bring their twist on the end of the world to their short&nbsp;Don’t Believe A Word I Say. O'Rourke is a director and award-winning production designer from Doncaster, known for her surreal, stylistic and heartfelt visual storytelling. A BAFTA mentee with a growing reputation, she excels in finding magic in the rubble.&nbsp;Clarke is a Salford-based producer whose work spans indie features, investigative docs and grassroots culture. His work spotlights the grit, grief and brilliance of everyday lives.Tom Tennant's comedy short&nbsp;Angling For Love&nbsp;will explore the fishier sides of modern dating. He is a&nbsp;Somerset-born up and coming filmmaker whose wit is as sharp as his eye. Often working with his brother Theo, his previous documentary&nbsp;Frontier Town won a BAFTA Cymru Award.&nbsp;Naomi Pallas's documentary How To Sell A Girl will dive into a dark new online phenomenon.&nbsp;She is a documentary producer and director from Essex whose freelance work spans BBC, Channel 4, Sky and Amazon — but she’s just as passionate about her independent explorations of technology, folklore and the natural world. Her latest short Big Cat, currently prowling the festival circuit, traces the hunt for a black panther said to roam the Glastonbury festival site.“We were really impressed by the originality of this year’s finalist pitches," says&nbsp;Tim Hardy, co-owner of Homespun.&nbsp;"Each one brought a distinct perspective to the brief, and it was clear they were thinking ambitiously about their shorts. We’re excited to support them through the process.”The shorts will premiere at Curzon Soho on November 13th, offering a platform to shine and spark conversation in the heart of London’s film community.• More on Yarns: DISINFO&nbsp;<a href="https://www.instagram.com/yarnsfilm/" target="_blank">here</a>

Homespun

Stitch Editing

Yarns announces finalists for 2025 competition on subject of DISINFO

For the returning Maribou State, Brazilian filmmaker&nbsp;Giordano Maestrelli tells a story of lost love by employing some of the oldest techniques in cinema within a bold new structure.&nbsp;The subject of the film for All I Need is the complexity of a broken relationship, told through parallel timelines. At the centre of the story is a couple - their past life unfolds through fragments and the present plays out in the background where their lost love echoes. And&nbsp;to allow the flashback story of the couple's love affair to coexist within the present, Maestrelli&nbsp;built a custom zoetrope device inspired by early motion picture pioneer&nbsp;Eadweard Muybridge.In this meticulous undertaking the director first shot the story on 16mm film, then printed into more than 2500 still frames, and re-sequenced it through the custom circular machine in a stop-motion-like technique. Shooting over 23 hours, thousands of delicate frames were replaced one by one while a crew member manually turned the machine at a millimetric degree, and another captured the action.[imgtoken data:1]&nbsp;The zoetrope enables one narrative to take place inside a contained, looping environment, which set out to resemble the way unprocessed emotions often linger. Meanwhile, behind it, the same setting appears as a ghostly representation of what is no more.&nbsp;With a visual language rooted in early cinema but a vision firmly fixed on today’s music video aesthetics,&nbsp;All I Need&nbsp;is a technically-daring love letter for the song that&nbsp;features on Maribou State’s latest album&nbsp;Hallucinating Love, their first since a multiple-year long hiatus following bandmember Chris Davids’ rare and debilitating brain illness.&nbsp;The result is a mesmerising and haunting&nbsp;blend of cinematic craftsmanship, memories and emotion.

Giordano Maestrelli

Marília Dalmagro

Nicholas Vargas

John Moule

Ninja Tune

Dom Mckiernan

Maya Bury

Maria Eduarda Caldeira Brino

Yatta Filmes

Valentina Tarelli

Mauricio Padilha

Juliano Possebon

Roberto Ramos

Vinicius Corso

Raissa Negromonte

Cintia Capelano

Maribou State 'All I Need' by Giordano Maestrelli

Maribou State, @AndreyaTriana - 'All I Need' (Short Film)

Following the videos for <a href="https://www.promonews.tv/videos/2024/08/10/addison-rae-diet-pepsi-sean-price-williams/91259" target="_blank">Diet Pepsi</a> and <a href="https://www.promonews.tv/videos/2024/10/25/addison-rae-aquamarine-sean-price-williams/91263" target="_blank">Aquamarine</a>, Sean Price&nbsp;Williams reunites with pop superstar-in-the-making&nbsp;Addison Rae for their most boundary-pushing and delightfully dizzy collaboration yet.For Fame Is A Gun, the director/DoP - just signed to Pulse Films - brings his kinetic style to a fever-dream in which Addison plays both platinum blonde bombshell, indulging in a surreal vision of fame's excesses, and her impish, more authentic alter-ego.&nbsp;As with the previous videos Williams captures the charisma that has driven the artist's rise from TikTok star to pop star, with an adventurous and irreverent&nbsp;approach.&nbsp;Incorporating unhinged story elements touching on&nbsp;glamour, distortion, and unraveling control, its a boldly adventurous visual,&nbsp;and utterly mesmerizing.The video, produced&nbsp;by Anora's Oscar-winning Alex Coco this continues Rae’s evolution as a pop artist unafraid to experiment with form and tone - and a big statement of the original vision that&nbsp;Sean Price Williams brings to music videos.&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;[imgtoken data:1]&nbsp;

Sean Price Williams

Rapt Film

Alex Coco

Eliza Padden

Briana Bursten

Isabel Sofia Cervantes

Danielle Polanco

Luna López

Emily Schubert

Rhys Scarabosio

Stephen Phelps

Bryan Younce

Stephen Gurewitz

Ray Leve

Pulse Films

Addison Rae 'Fame Is A Gun' by Sean Price Williams

Addison Rae - Fame is a Gun (Official Video)

Rob Brandon returns to pop promos with an evocative visual for Henry Moodie's heartfelt message to a lost love.Brandon captures the singer-songwriter's performance of Indigo on Super 8mm film in various set-ups, manipulating the image with subtle in-camera effects, using filters to experiment with colour, light and shadow.The song is affecting, emotional and touching - the visual enhances those sentiments with its simplicity and&nbsp;warmth.[imgtoken data:1]

Gemma Pearce

Hannah Mason

Rob Brandon

Liam Wallace-Cook

Hurry Sundown

Blend Films

Ella Lindsay

John Joe Besagni

Jorge Higgins

Aida García Vega

Dan Beddoe

The Hand Of God

Henry Moodie 'Indigo' by Rob Brandon

Henry-Moodie-'Indigo'-by-Rob-Brandon

HAIM return with a sumptuous video by Camille Summers Valli for the first single from the sisters' first album since 2020.It's Summers Valli's first promos since her acclaimed work for METTE in 2023 (including Mama's Eyes, winner of Video of the Year at the UKMVAs). As with those for METTE, the director employs her considerable powers here to draw the viewer into a powerful and intimate experience with the band's&nbsp;lead singer Alana Haim.The video for Relationships brings us into the world of Alana and her sisters - and into the euphoria of Alana's affair with her lover, played by Drew Starkey. This is portrayed at a cinematic level consistent with a movie or high quality TV drama, and&nbsp;HAIM are clearly comfortable in this territory. After all, they have been regular collaborators with&nbsp;Paul Thomas Anderson and Jake Schreier.But there is nothing in the sister's fine canon of music videos which is quite as frank and sensual as this, nor does it forget its function as a music video. The effect is stunning.&nbsp;

Camille Summers-Valli

Clive Olamiju

Lucy Jones

Polydor

Columbia Records

Saul Levitz

Louis Danckwerts

Drew Starkey

HAIM 'Relationships' by Camille Summers Valli

HAIM - Relationships (Official Video)

London-based Romanian director Mihai Feflea directs an absorbing&nbsp;promo for singer-songwriter and rapper Killa Fonic.&nbsp;Shot in Bucharest on Kodak 16mm film, the video for the Romanian artist's track Păsări Migratoare showcases the artist's&nbsp;multiplicity of alter-egos, as Feflea crafts a stark yet immersive world, where shifting environments and characterisations merge into abstract narrative setups.&nbsp;Inspired by Jean Luc Godard's colour montage and Hong Kong cinema of the 2000s, the visual has a textural, grungy aesthetic, elevated by the idiosyncratic vignettes. Very cool.&nbsp;[imgtoken data:1]

Kodak

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